There are two main groups of key signatures that you really need to know in (Western) music. Major key signatures and minor key signatures. If you know one, it's pretty easy to figure out the other because they are related.
So here you'll find a list of minor key signatures and which sharps or flats belong in each one.
Every major key has a relative minor key that shares the exact same key signature. This means if you already know your major key signatures, you're halfway to understanding minor keys!
There are two main groups of keys - ones that have sharps and ones that have flats. They can't have both.
When a major key and a minor key share a key signature, we call them "relatives". So you can find a "relative minor" for any major key.
There's a pretty easy way to find the relative minor of any major key - just go down 3 half steps (or semi-tones) from the major key. For example, C major's relative minor is A minor. They both have no sharps or flats. G major's relative minor is E minor. They both have one sharp (F#).
On the piano. you can see this visually and just jump down the keys (remembering that F down to E is a semi-tone) to find your relative minor.
From C, you play B (1), Bb (2) and A (3). A is the third and the key signature name (A minor) and it has the same key signature as C major - no sharps and no flats.
Just like C major in major keys, A minor is the only minor key that has no sharps or flats.
Here are all the minor keys that have sharps:
You can use the same saying to remember the order of sharps: Father Charles Goes Down And Ends Battle.
Here is what the key signatures look like on the staff:
Now for the minor keys with flats in them.
The same "BEAD GCF" pattern works here too. (BEAD Go Catch Fish is a saying you can use also.)
Here is what they look like on the treble clef and bass clef:
Minor keys are written exactly the same as major keys on the staff (treble clef and bass clef). So you'll find them on the same exact lines and spaces. They just have different names.
Alright, now for a little additional bonus that minor keys give us. (And this is usually when I get the "my brain hurts" look when teaching lessons.)
When playing in minor keys, there's something extra to keep in mind. There are actually three different types of minor scales:
So when playing chords in a minor key, like A minor for example, we can get a chord like E pop up quite a bit. The chord E has a G# which is not in A natural minor but is the raise 7th in A harmonic minor.
Many people love to play the harmonic minor scale over any other, basically because it sounds pretty cool.
If you are trying to figure out a key signature and you see a note pop up like this G# with no sharps or flats, that's a clue that you're reading music that's in a minor key and they are using this raised seventh from the harmonic minor scale.
One additional way to work out a minor key from a major is this: work out what the 6th (vi) chord is in the major key. And that's the name of the minor key.
For example, F major. The 6th chord is Dm. D minor is the relative minor key and both F major and D minor have Bb in their key signature.
Minor keys are very important to know (so it's great that you're here) but if you feel like you could use a bit more information or a refresher on key signature basics, here are some other pages to help you:
Subscribe below and get free access to the (printable) Ultimate Chord Cheat Sheet.
Nov 20, 23 10:21 PM
Oct 24, 23 12:20 AM
Oct 09, 23 09:23 PM
Subscribe below and get free access to the (printable) Ultimate Chord Cheat Sheet.